The main target of this work was to save the pipes, which was badly corroded.
We wanted to scrupulously preserve the organ as Alfred Kern had built it.
There was no question of de-restoring it, which advances in organological knowledge might have justified. Our work on the voicing was carried out sparingly on details.
28 jeux, II claviers, pédale
Positif de dos 51 notes | Grand Orgue 51 notes | Pédale 27 notes |
---|---|---|
Bourdon 8' | Bourdon 16' | Soubasse 16' |
Prestant 4' | Montre 8' | Octavebasse 8' |
Flûte à cheminée 4' | Bourdon 8' | Prestant 4' |
Nazard 2 2/3 | Prestant 4' | Fourniture IV rgs |
Doublette 2' | Nazard 2 2/3 | Bombarde 16' |
Tierce 1 3/5 | Doublette 2' | Trompette 8' |
Fourniture III rgs | Tierce 1 3/5 | Clairon 4' |
Cromorne 8' | Sifflet 1' (B+D) | |
Cornet V rgs (D) | ||
Fourniture III rgs | ||
Cymbale III rgs | ||
Trompette 8' (B+D) | ||
Voix humaine 8' |
Accouplement I/II, II/P